Jo Giovani & Emilia De Geer

French Fairy Tales for Piano Four Hands
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Thursday
12 February
19:00—21:00

 

Jo Giovani

Born in Indonesia, Jo studied at Methodist Charles Wesley Music School with the late Dr. Johannes Sebastian Nugroho and Feirist Tan before attending the Royal Academy of Music in London under the tutelage of Amandine Savary. She was generously supported by the Alice Payne Scholarship during her studies at the Academy and graduated with First Class Honours in 2019. She subsequently pursued her postgraduate studies with Philip Jenkins at the Guildhall School of Music and Drama, receiving the Concert Recital Diploma for exceptional performance in her end-of-year exam. After completing her Artist Diploma with Joan Havill, during which she won the 2022 Guildhall Romantic Piano Prize, she was offered the conservatoire’s Junior Fellowship for piano for the year 2023-24.

Jo has been recognised nationally for exceptional performance, receiving the Derek Butler Award from the Countess of Munster Musical Trust as well as awards from Help Musicians UK and the Craxton Memorial Trust. She has played in concert venues such as the St Martin-in-the Fields, Fidelio, and Milton Court. She has had masterclasses with Bengt Forsberg, Kathryn Stott, Steven Osborne OBE, Boris Berman and Daniel Blumenthal. In addition to her work as a soloist, she is also a keen chamber musician. She is particularly fascinated by the piano music of Leoš Janáček (having performed all of his solo piano works) and Francis Poulenc. She is also a champion of contemporary music, most recently performing in a world premiere of the two-piano version of Errollyn Wallen’s Piano Concerto with Sarah Cahill in the Barbican Centre.

Emilia De Geer

Swedish-Scottish pianist Emilia De Geer is a doctoral student at the Royal College of Music working under the supervision of Prof. Richard Langham Smith and Dr. Christina Guillaumier. Her research focuses on the music of Claude Debussy and its role in the cultural landscape of the time. Recently, she was invited to participate in the conference Sensual Consonance: The Visual Arts in Conjunction with Music around 1900, organised by The Royal Swedish Academy of Music and Nationalmuseum.

Before embarking on her doctoral studies, Emilia studied piano performance with Prof. Joan Havill at the Guildhall School of Music and Drama, also working closely with Paul Roberts. She holds a Bachelor of Music and a Masters of Performance in Classical Piano, graduating with First Class Honours in 2022, and winning scholarships from Help Musicians UK, the Craxton Memorial Trust, and Riddarhuset. In the academic year 2022-23, Emilia was awarded the Edison Fellowship by the British Library for a project investigating Debussy’s piano rolls from the viewpoint of a performing pianist.

She has been fortunate to work in projects and masterclasses with Marin Alsop, Richard Goode, Dame Imogen Cooper, and Steven Osborne OBE, among others. Aside from classical music, Emilia frequently ventures into both jazz and folk music, spending several years as the pianist for the National Youth Jazz Orchestra of Scotland and performing in venues across the UK.

Photos by @ioaphotography

Programme

RAVEL: Ma Mère l’Oye
I. Pavane de la Belle au bois dormant: Lent
II. Petit Poucet: Très modéré
III. Laideronnette, impératrice des pagodes: Mouvt de marche
IV. Les entretiens de la belle et de la bête: Mouvt de valse très modéré
V. Le jardin féerique: Lent et grave
DEBUSSY: Petite Suite
I. En bateau: Andantino
II. Cortège: Moderato
III. Menuet: Moderato
IV. Ballet: Allegro giusto
Intermission 30 minutes
POULENC: L’Histoire de Babar, le petit éléphant
based on Histoire de Babar by Jean de Brunhoff

Please note: This event is organised by an independent third party. Bechstein Hall is not responsible or liable for any ticket price changes, programme alterations, or artist substitutions.


 

Join us for a drink! The bar is open before and after the performance.
Serving until 22:00.